Aug.
27
2018
Again for next year I have work in the We’Moon Datebook. The 2019 theme is “Fanning the Flame” which correlates with card 19 of the Tarot’s Major Arcana which is The Sun. I feel so honored to be among the amazingly talented artists and writers here. My poems this time are about light from the sun reading us ‘Every Nine Minutes’ and how I relate to my inspiration in “Calling My Radiant Muse.”
Everything from astrology to moon cycles to planetary influences to women’s myth and lore are included in these exquisitely illustrated pages.
This datebook and also the wall calendar are available at many bookstores and art venues including Radiance in Olympia and Phoenix Rising in Port Townsend.
Aug.
27
2018
Two of my poems appeared in issue #91 of the literary journal Earth’s Daughters this summer. The theme was ‘lines.’ The poem “Esther’s Last Story,” as about my grandmother telling me about her humiliation standing in bread lines during the Great Depression. The other one is called “Bone Notes” and is about my mother’s wonderful habit of doodling and sketching. She would start with a line or squiggle and turn this into beautiful and complex portraits. She used to draw on all sorts of things. I would gather these up and save them often playing with them like paper dolls.
I love this journal which is part of a women’s collective. See more at www.earthsdaughters.org.
May.
28
2018
After a run of rejections, I suddenly got three pieces of good news! My poem “The Oystermen” was a finalist for the Joan Swift Prize from Poetry Northwest and will be published online this fall. Then The Louisville Review emailed to tell me they accepted “Gutenberg’s Mirrors” and “Traffic Fiction” for their next issue. Finally Bacopa Literary Review informed me that “Auditioning Death” is a finalist for their annual poetry prize and will be included in their contest issue. Great to find homes for all these poems. “Traffic Fiction” had received positive feed-back from several editors. It will be great to see it in print finally.
Apr.
11
2018
My poem entitled “Suitcase” is in the 2018 Paterson Literary Review edited by the amazing Maria Mazziotti Gillan. This is what I call a ‘whole cloth’ poem, one that arrives intact and I just needed to write it down. We were flying to Arkansas for the Eureka Springs UFO conference last April. The woman in the seat next to mine and I began talking and she told me this personal and heart-wrenching story. When we got to the hotel that evening I wrote it down. Suitcase is that poem.
Mar.
21
2018
The New York women’s journal, Earth’s Daughters, has accepted my poems “Esther’s Last Story” and ” Bone Notes” for their upcoming issue themed ‘lines.’ The first one is about my psychic grandmother and the second one features my artistically talented mother. The website is www.earthsdaughters.org and is a wonderful source of inspiration about women’s issues and mother story in all its aspects.
Mar.
06
2018
My poem “Jailow” is in the Fall/Winter 19.2 issue of Common Ground Review published by Western New England University in Springfield, MA. It is based on a memory from childhood. My father, who grew up in extreme poverty in West Virginia, was drafted into World War II. During the war he learned to be a meat cutter and continued this profession after he was discharged. But he hated cutting meat and when I was about 4 years old he came home one day and told my mom he had quit his job and was going to build houses. He had always enjoyed carpentry, but he learned the skills needed for home construction by hiring experienced carpenters at the Union Hall. One of the first was a man named Walt Jailow. Jailow was a whiz with hammer and nails but he had a severe drinking problem. The poem is based on my recollections of the few months this man was in our lives.
Feb.
11
2018
Issue #66 of Pudding Magazine, The Journal of Applied Poetry includes a review of my poetry book, “The Fates.” I was thrilled by the attentive reading editor Connie Willett Everett gave my work. She cites specific poems and clearly grasped the overall structure and themes. She writes, “Clarkson’s poems are richly detailed, textured and sensual, twisting along a mythic tether, flirting with surreal imagery.” Thank you so much, Connie, for honoring my poems this way!
Feb.
11
2018
My poem, “Holyrood,” was a finalist in the annual Edna St. Vincent Millay contest hosted by The Tishman Review and appeared in Volume 4, Issue 1, January 2018. This beautiful publication combines poetry, fiction, and essays with plenty of beautiful artwork. Holyrood is the cemetery in north Seattle where my father is buried. The poem is a snapshot of my mother and I visiting his grave when I was a little girl. I tried to include small details that would somehow depict the pull a young widow and her children felt to this place and what death feels like in such a situation.