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Joanne the Poet - The Poetry of Joanne M. Clarkson

Jan.

12

2026

Poem about Rebirth in Spillway

My poem “Daring the Re-Discovered Life” is in the new issue of Spillway, the journal from Moon Tide Press. The over-all theme is rebirth and the book is divided into various sections on this topic. Mine is ‘Utterance.’

The poem reflects an actual experience I had and my response. I am so honored to have my work in this beautiful publication!

Daring the Re-Discovered Life

My friend, the newly minted hypnotist,

offers to give me a day of my life

over. To charm my mind into memory

and re-awaken a younger self. I can choose

any day. At first this sounds

wonderful – to re-capture a tango

of joy, the exaltation of achievement,

conversations or the tremor of reciprocal

touch. Then, as if pricked by a thorn,

I recall the disbelief within all

happiness. The unworthiness shadowing

honors. And how could I risk caress

when I know it will be taken away?

He is surprised when I tell him

No thank you. A little hurt, so proud

is he of his mastery of timelessness.

Over the next few days, my memory

does seem ignited. At unlikely times

I get a flash of Paris or a crimson sky.

I taste the shiver of an unripe seaside

berry. Feel the seductive fingers

offering it. Open my mouth this time.

Jan.

04

2026

Poem about Horses in Quartet Journal

My poem, “For Horses No Longer Ridden,” that I wrote as part of my writing with horses classes at Heron Hills Equine is in the online literary journal “Quartet” January 2026! This journal is really cool because besides featuring the poem, each is accompanied by an poet’s statement about how poetry inspires them and what particularly prompted this work. You can read my poem and all the other wonderful ones by going to: http://quartetjournal.com.

This poem, for me, is an example of how something we really love creates art through us.

For Horses No Longer Ridden

Horses by nature were never meant

to be saddled, the slight swale

between withers and rump

not constructed for armor

or even summers of the young.

With age comes ease, never again

to be mastered by leather,

no longer made to carry

the weight of worry and journey.

I do not demand they create a gait for me.

Today three twenty-year-old horses

salvage the landscape. They graze

with muscles light as wings: sparrow,

blue bottle fly, afternoon’s angled light.

I bring a palm of apple slices.

I know they do not love me

the way I might wish for intimate

love, even as the supple lips

caress my open hand. And I do not

plot to harness them to furrow

the hard, unyielding fields

for the sake of my hunger.

Horses are their own loose army

of peace.  I want to feel how stalks

grow soft within them. How their slow

feasting sets the whole Earth free.

Nov.

10

2025

A Butterfly Love Poem in Plainsongs

My poem “Lepidopterist” is in the digital and print issues of the lovely journal Plainsongs, Fall 2025. We were driving through Eastern Washington recently and passed a farmhouse that evoked a memory. I doubt that it was the same house, but it reminded me of one two dear friends lived in during the 1970s. I wrote this poem about them – and everyone who truly honors the one they love. When we do this, miracles happen!

Lepidopterist

Linda lived with Wendy in the oldest

house in the county about a mile

out of town. Its attic

was perfect, with its peaked ceiling

rafters, for where Linda

needed to place cocoons: warmth

always at a slant, giant incubator

full of dust mites and pollen.

Lepidopterist, Linda’s passion was

emerging wings and she and Wendy

rented the place for their nursery.

Wendy helped tuck the finger-tip-sized

swaddles into the crooks of beams

smelling of old forests and honey.

Wendy’s calling was horticulture

and she hoed a full acre for root settings,

food for every pattern

of fragile transformation.

I remember thinking, back then,

about collaborative love. Wondering

how many swallowtails and luna moths

slept inside of me and who would

find the house where we could raise them?

Who would plant fields of hungry

beauty? And how many

would even survive into spring

when Linda and Wendy walked hand-

in-hand up the rickety steps

to witness a steeple of wings?

Sep.

24

2025

Honorable Mention in Passager Contest

My poem, “Ache of Crimson in the Key of C,” received an honorable mention in Passager journal’s 2025 contest. The poem appears in the Fall 2025 print issue.

This poem is about my mother – or rather my feelings about my mother when, as a child, I witnessed her transportive passion for playing the piano. She was always so full of emotion, especially as it relates to the beautiful things of this world. She passed in 1999 and I feel her presence often through music certainly and also when I take the time to step outside myself into the wonders of the world around me.

Ache of Crimson in the Key of C

My mother used to cry

when she looked at the sunset.

The same far-away expression

she wore playing her piano

for hours. Whichever music

came to mind, to heart. Beauty

a vector toward purest

harmony. I remember

feeling afraid, as a child,

knowing she forgot me

in those moments, orphaned

outside her vision of heaven.

I loved the sky and melodies

but not in a way that made me

tremble the way she did.

My tears were about loss,

mourning a gift I couldn’t share.

Have I ever loved anything

that much? Words perhaps?

The shadow where a woman

should be?

Sep.

22

2025

Octopus Poem in The Schooner

My poem, “The Irony of Play,” is included in the Winter 2024 print edition of The Schooner (formerly Prairie Schooner). The editors got backed up so the issue just arrived September 2025. This is a beautiful journal, full of brilliant writing. I feel honored to have my work here.

I wrote this poem several years ago to submit to Concrete Wolf’s Cephalopod Anthology. They accepted a different poem, but I always had faith in this one. Jim and I have always been fascinated by this intelligent animal that looks alien! But we formed an even deeper connection when we had an Octopus Encounter for his birthday at the Newport Aquarium. We got to interact one-on-one with Mystery who delighted us by winding her arms gently up our forearms. She accepted shrimp from our fingers and even played with the toys we held out to her. We saw her change color once, bright orange to gray sand pebbles very quickly, then back again. We have never forgotten this profound involvement with a wild creature!

This poem links my first hand knowledge of an octopus with a memory I have of riding on a bus with my grandmother. She never learned to drive so we often took the bus when I stayed with her. Usually the rides were short, but once we were on for along time on a rainy day and maybe into the night. Grandma could make dolls out of anything and I loved them. She was very creative. She even turned a hanky into a toy for me. I was a child with a good imagination and very motherly intentions so I loved even this very simple baby. I comforted it through what was an unsettling journey, although I don’t remember the cause of my worry or where we were going or why.

Aug.

01

2025

“Transformative” Featured on Thirteen Bridges Website for the month of August 2025

My poem about my mother’s final days, “Transformative,” is the featured poem for August in the beautiful online journal Thirteen Bridges. I am so thrilled with the presentation and honored to be included in this impressive literary magazine.

This is the link to see it live: Joanne Clarkson | August 25 Poem | Thirteen Bridges

I also wanted to include the poem itself:

Transformative

From the kitchen where I am

washing a week’s worth

of dishes, I watch my mother

watch television. Become herself

through someone else’s

script. She squints, lips parting.

Once at a séance, I saw a Medium

take on another being. She changed

her features to become a woman’s

dead sister. With messages. As if

those who have passed know us better

than we know ourselves. Where

we put the misplaced thing.

I watch my mother take back

the animation that so often leaves

her face now. She resurrects in artificial

light. Calls me by my name,

not her mother’s or her sister’s.

For about ten minutes we have

a conversation about real Christmases.

All human faces look basically

the same, until they don’t. Slope

of cheek bone, arch of lip

utterly individual. Today for an

instant, my mother transformed

into someone thirty years younger.

I stood behind her at the mirror

combing her thinning hair. Her brows

arcing into mine. The blue-hazel

of her eyes becoming the recognition

of two women sharing a life.

Jun.

26

2025

Poem about Trees in Humana Obscura

My poem “Asymmetry” is in the Summer 2025 issue of Humana Obscura. This is an especially gorgeous journal because of the large amount of art and photography that accompanies the excellent writing. Here is the link to the online journal: www.humanaobscura.com. The poem is below:

Asymmetry

Firs are not symmetrical.

Neither the maple. Cedars like gods’ arms

crooked to every season of forgiving.

Each pine a lightning strike.

Each willow a map toward water

the way a break in the heart might look.

The trunk of a single tree

is a natural atlas. And bones of oak

become violins in a wind storm.

No one book contains the names of all

the leaves. No single illustration

gets the skeletons right.

Barren and white, poplar becomes

a landmark, its roots the true asymmetry,

paths the deer might follow

traveling last year’s rain.

.

Jun.

19

2025

“Turtle Tears” in Ep;phany

One evening on Jeopardy there was a question about butterflies in the Amazon that drank turtles’ tears. I looked this fact up and found that it was true, along with additional details. I thought this just had to be a poem. So I wrote “Turtle Tears” which has just appeared in the Spring/Summer 2025 of the literary journal Ep;phany. The edition is beautiful and I am so proud to have my work included with the other poems, stories, non-fiction pieces and art. Here is the poem:

Turtle Tears

A humid morning, and the slow

reptile makes her way toward

a flat stone above currents

heavy with leaves and debris.

A butterfly alights on her yellow

spotted forehead. Then two, and three,

lingering like afternoon light,

harvesting clear honey.

Not myth, but health: butterflies

of the interior Amazon, drink

turtles’ tears. Less-than-thread-width

legs balance on lids

while a tendril of tongue sips.

The turtle, intent on river mud,

barely notices as if touched

by nothing more

than the tail of a rainbow.

One theory has it that the winged ones

seek salt, existing as they do

so far from the ocean. Sodium,

the mineral of heartbeats.

Another suggests tears produce

medicine, universal serum

to ward off disease

since vision and wings

are keys to survival.

Neither insects or reptiles ponder

such things, just companions

on a river healing each other

within the grief of a vanishing world.