May.
14
2019
Again in 2020 I will have two pieces in the We’Moon Datebook! I always love being a part of the synergetic creativity of the dozens of women artists and writers who focus each year on earthly and cosmic energy. My first piece for next year is “St. Anne, Patron of Mothers of Daughters” and talks about the intricacies of the mother-daughter relationship. The other one is “Mokosh, Goddess of the Working Woman.” As many of you know, my maiden name was Mokosh and my heritage is slavic coming out of Slovakia and the Czech Republic. A few years ago, I discovered the ancient slavic goddess Mokosh, quite by chance. She isn’t a glamour girl; rather a large-handed, big-headed persona who is there for the difficult tasks. See more at www.wemoon.ws.
May.
14
2019
My poem, “Nun Gowns,” was awarded an Honorable Mention in this year’s Allen Ginsberg Poetry competition sponsored by the Poetry Center at Passaic County Community College! The poem will appear in the 2020 edition of the Paterson Literary Review. This is a long-standing competition and I have long admired the writing and poetry advocacy efforts of executive director Maria Mazziotti Gillan. I am so thrilled to have a poem of mine recognized here!
Dec.
18
2018
“Gutenberg’s Mirrors” and “Traffic Fiction” are both included in this wonderful journal, a publication of Spalding University. The amazing Greg Pape, former poet laureate of Montana, is poetry editor. The first poem was inspired by a fact my friend Devon Damonte told me about the famous Gutenberg not starting out to invent moveable type but rather mirrors to help pilgrims discover the power of saints’ relics. The one about traffic is a tribute to my mother, one of the kindest, most positive people who ever lived. She taught for 30+ years and saw the goodness in everyone.
Nov.
07
2018
The MacGuffin, a wonderful journal I have submitted to several times in the past with no luck, has just accepted 2 poems: The Truth of Pewter and Teeth of the Comb. I love the concept of a ‘macguffin,’ defined by the journal as: The moving force (and sometimes the solution) of a work of mystery fiction is referred to as a MacGuffin, a concept that originated in Victorian England.
Alfred Hitchcock used the term and said, “No film is complete without a MacGuffin because that’s what everybody is after.” The MacGuffin might be the papers everyone is looking for or the ring that was stolen — in short, the MacGuffin is any device or gimmick that gets a plot rolling. The MacGuffin itself has little, if any, fundamental importance, and, according to Hitchcock, is nothing in and of itself.
And so it is with my poems, I think. The Truth of Pewter is about a teapot my grandmother and her sisters brought from Sweden. It was a lucky charm for them in several ways and passed down to me has become something sort of magical as well. Teeth of the Comb is about homelessness and is told in the voice of a little girl living in a car with her mother and brother and the morning no one was there to fix her hair before school.
Thanks you to the editors of The MacGuffin! I am so excited to see my poems in print and to read the other work therein!
Oct.
16
2018
I am so thrilled to have a poem in one of Cortney Davis’ excellent nursing-themed anthologies! “Learning to Heal”, co-edited by Jeanne Bryner, just arrived from Kent State University Press and it is beautiful — in both design and content! My poem is entitled: “First Patient” and is indeed about the first patient assigned to me in my first clinical rotation in nursing school. He was in Pacific Care nursing home on Cherry Street in Aberdeen. He was diabetic and had just had his leg amputated. One line from the poem goes: “I have never been so afraid,” and this was true. I was older going to nursing school. This was my second career. But life experience didn’t make me any less terrified of hurting this poor man, of making his pain and his condition worse. It takes incredible courage to care for the body of another person and I am so thankful I got to serve in this way. It also takes unbelievable bravery to attempt to touch the soul, which is what I believe poetry does. Each time I write, a part of me “has never been so afraid.”
Sep.
29
2018
This autumn I have 4 poems published in the online “Leaping Clear” Journal: www.leapingclear.org. The first is “The Girl Who Loved the Varied Thrush,” for my friend Anna who loves all animals and who knows the names of many birds. The second is “How to Build a Bat House” and is about the widow, whose house we almost bought. When bats settled under the siding around the front door and the realtor insisted they put up plastic to keep them away, she learned how to build a dwelling for them on the south side of her home.
The third poem is a beautiful distant memory of my grandmother, Esther. And the last one talks seeing a totem pole – I am fascinated by totem poles – and wondering about my own totem/animal affiliate or protector.
As part of this journal, the editors asked for a statement about the poet’s meditative practice. Here is mine: Listening is essential to my meditative practice. I am clairaudient. Inspiration, enlightenment, and peace come to me in sounds and voices. We live near the ocean and forests and close to mountains. I am blessed with an abundance of bird song, wind, and waves. In addition, I love to read my favorite authors aloud and memorize lines. I enjoy gathering snatches of conversation and discover lives through borrowed words. My Guides offer phrases in my dreams. I am so grateful for my ears! I am most connected to the world through everyday music.
Sep.
22
2018
The Poeming Pigeon Literary Journal out of Beaverton, OR, has devoted its 2018 issue to news-worthy poetry. Two pieces of my work are included, both based on true stories from The Olympian earlier this year. The first one is titled, “Ex-Army Ranger Saves Teen on Hwy 12” and is from the point of view of a vet witnessing a terrible accident. His quick action, based on combat experiences, saved a young man’s life. The second poem is “Homeless Shelter Loses Host Church, Closes,” and is from the perspective of a homeless man who had spent cold nights in this sanctuary — until he couldn’t any more. This is a very powerful anthology of diverse voices on many contemporary topics!
Sep.
07
2018
My poem “Auditioning Death” is in the annual edition of the Bacopa Literary Review this year. The journal is published by the Writers Alliance of Gainesville, Florida. The poem was a finalist for their contest. Both poetry and prose are included. My poem is a collection of metaphors for how death might appear. I think all of us at one time or another have wondered what the end might look like!